WORKS OUT OF METHEOR ANI VASEVA

WORKS OUT OF METHEOR

THE KILLER AND THE WHORE

smartslider3[40]

theatre performance

based on Dostoevsky’s novel Crime and Punishment
stage version of the text: Anna Topaldjikova
director: Ani Vaseva
stage designer: Victor Georgiev
composer: Stefan Hristov
assistant director: Mikchail Zhekunoff
photography: Georgi Dimitrov
graphic design: Stefan Donchev

with: Sabina Koen, Valery Georgiev and Leonid Yovchev
The Performance is roduction of Theatre Konstantin Velichkov, Pazardzhik. Premiere – Open Art Stage at Shipka, RCIC, Sofia, June 2017.

GORGONS IN THE STORAGE ROOM, OR, APOCALYPSE NOW

smartslider3[34]

exhibition with the collection of Sofia City Gallery, part of The Other Eye, a curatorial project of Maria Vassileva
curators: Ani Vaseva, Boryana Rossa, Monika Vakarelova
photographs from the exhibition: Georgi Sharov

Sofia City Gallery, April – June 2013.

“The Other Eye” is a series of exhibitions by the idea of Maria Vassileva, where non-art historians and non-curators are invited to work with the Sofia City Art Gallery museum collection. The project aims to look beyond traditional interpretations of history and, possibly, “unearth” somewhat forgotten works, and also trace new links connecting the latter.
The Other Eye project is designed to fight precisely the inertia in viewing and interpreting. It includes in the dialogue with museum exhibits people who exercise their imaginations in other cultural fields or who are not burdened with narrow specialized knowledge. We rely on their fresh gaze to offer us surprising discoveries and to build new contexts for familiar works.
Ani Vaseva, Boryana Rossa and Monika Vakarelova juxtapose different views and perceptions about the collection which, albeit conflicting at first sight, find multiple points of intersection. Their gaze moves between the drama of the bleak reality and the timelessness of the reality that-may-have-been, between expectation and action, between the existent and the non-existent; it explores the storage rooms and tries to discover works with a “dual foundation” (as Ani Vaseva puts it). The world of art is made up of many worlds – as, in fact, is life itself. Ani, Boryana and Monika mark a territory of their own over the decades and offer it to us as one of the many possible routes through time and space.
The exhibition features approximately one hundred works by artists from different eras and trends from the late 19th century to the present day, performed in various techniques – painting, graphics, sculpture, photography, video, object. Among the authors are Georgi Danchov, Ivan Mrkvicka, Andrey Nikolov, Tsanko Lavrenov, Pencho Balkanski, Veselin Staikov, Binka Vazova, Stefan Gatsev, Georgi Baev, Lika Yanko, Vassil Simittchiev, Stanislav Pamukchiev, Margarita Pueva, Edmond Demirdjian, Luchezar Boyadjiev, Ivan Moudov, Stefaniia Batoeva and others.

 

THE BLUE ROOM

smartslider3[37]

theatre performance

a play by: David Hare
director: Ani Vaseva
dramatourge: Anotinette Simeonova
set designer: Stanimir Genov
costume designer: Maitia Tziboulka

with: Boyka Velkova and Stefan Spassov

 

POWER FRIDGE POINTS

smartslider3[35]

Installation and comic-strip
idea and performance: Ani Vaseva, Ivana Nencheva, Natalia Todorova
photography: Ivan Donchev
comic strip: Yassen Zgurovski
comic strip text: Ani Vaseva

The installation was presented at Tanzquartier Wien in the frame of SCORES No3: uneasy going and in Sofiaundergound Festival, 2011.

 

SVIDRIGAYLOV

smartslider3[38]

theatre performance

based on Dostoevsky’s novel Crime and Punishment
text: Ani Vaseva, in collaboration with Boyan Manchev
dramatourge: Boyan Manchev
director: Ani Vasevva
stage designer: Venelin Shurelov
costume designer: Neli Miteva
photographer: Ivan Donchev

with: Hristo Petkov, Iva Sveshtarova, Elena Dimitrova, Borche Gjakovski, Petar Genkov
That was the graduating performance of Ani Vaseva, with mentor Ivan Dobchev. Premiere – TL Sfumato, November 2008.

The tragedy is the genre of the inevitable: of destiny. Svidrigaylov speaks about the inevitability of the image: about the violence of its presence that we cannot escape from.
The image crushes us, nails us, kills us. It is the only air we are breathing, the air that suffocates us.
ГThe Gothic visions are too soft for Dostoevsky; he is the forerunner of the inorganic fetishes hard-core that blinds us at the end of the world. In this apocalyptic world, world at the end of the world, world of harrowing intensivity, world of unlimited reversibility, t.e. perversion, the turn, the reverse is impossible.

 

PRAESENTIAE

smartslider3[36]

theatre performance

concept and construction: Ana Vaseva
video: Ana Vaseva, Ivan Ikonomov, Valeria Ciao, Mia Momichlova

with: Margarita Petrova, Milena Stanojevich, Mia Momchilova, Stella Krusteva.
Premiere – AiRspace, Sofia, February 2008.

“Praesentiae explores the way other, extrinsic bodies co-exist in a person’s body. The performance includes video projection that fills the space with even more, ghost-like presences. It is exploration that goes through the body and the image – experience of the body as a container of the presence of other people that emerge on the surface.